Archive for July, 2006

Zines - Ravescene/Xperience/Noise 303/…

Monday, July 31st, 2006

Yesterday I was checking out the excellent article about the Lazerdrome and peeped their Flyer Gallery. Knowing I had some old Lazerdrome flyers, I had a root around to see what I could find. Whilst doing this I found a whole bunch of old black and white photocopied zines from 1993 and 1994 which I’d totally forgotten I had. It’s a bit fiddly scanning them, but I thought it’ll be worthwhile … so to kick things off, here is Issue #48 of Ravescene Magazeen published sometime around February 1994.

Click the thumbnails to view a larger image.

Ravescene Magazeen Issue 48 - Page 1 Ravescene Magazeen Issue 48 - Page 2 Ravescene Magazeen Issue 48 - Page 3 Ravescene Magazeen Issue 48 - Page 4
Ravescene Magazeen Issue 48 - Page 5 Ravescene Magazeen Issue 48 - Page 6 Ravescene Magazeen Issue 48 - Page 7 Ravescene Magazeen Issue 48 - Page 8

I’ll scan up some more as I find time. If this tickles your fancy, then have a look at The Vault. There is some really obscure stuff scanned and posted on there including issue 2 of Labello Magazine and some Brain Records business cards!

One Night That Changed My Life

Monday, July 31st, 2006

Staurday 24th July 1993
Rollerbury, Bury St Edmunds, Suffolk

Despite being into the music long before the summer of 1993, up until this night I’d only really been to small gatherings and house parties. Quite odd looking back …. but that’s how it was and I won’t claim anything different.

Thinking about it now, I don’t really remember any specifics about the night … danced a lot right up the front by the stage, shook hands with most members of The Prodigy after their live PA … but I do distinctly remember to this day the overwhelming feeling of discovering something so special when walking out of that place at 7am.

If anyone does happen to have some audio, video or photos from this night, then I’d be eternally grateful if you could pass it/them my way.

Rollerbury - July 1993Rollerbury - July 1993

Ragga Jungle & Jet Star Records

Wednesday, July 26th, 2006

ija.jpg If prices on Ebay are anything to go by (are they ever), popularity for these obscure mid-90’s releases seems to be at an all time high. Both Crazy Bald Head and Jungle In Jungle have sold for 200+ pounds in the last few days.

Last month JIB001 (a remix of General Degree ‘Papa Lover’) sold for £100.

I wonder how many more of these will surface, and how their value change over time.

The Most Wanted Records On discogs.com

Monday, July 24th, 2006

A couple of months ago in amongst a bundle of mixed old skool, I picked up a copy of #1 by Format on ESP Records from 1991. I looked it up on discogs and 99 members wanted that tune. Which got me thinking … what is the most wanted slice of dance vinyl (according to discogs)? Once upon a time they used to publish this information, but not any more … so it’s time to start digging about ….


But what about old skool hardcore, breakbeat business? Well …

and the tunes in most peoples collection …

2-X-Treme Prices for That Piano Track

Friday, July 21st, 2006

2x2.gifIt’s been on my want list for some time now. Played by Top Buzz at Dreamscape 2, it’s limited pressing has meant it’s become one of the more sought after old skool tunes. Then, about 5 weeks ago it was announced that a repress was going to be made and it’s going to be on different coloured vinyl. Good news if you are after a copy.

Recent history dictates that the normal sequence of events for a tune with a repress looming are:

  • Ebay is flooded with copies
  • Prices drop
  • Demand dwindles

Er, no … not in this case. August 2004, this made £65 on Ebay. In April 2005 it sold for £165, a high price, but not that way off the average for the time. In July 2006, it sells for a staggering £185!

Further information about the repress along with downloadable mp3’s of the tracks are available from Ninety Two Records. Details of all trackable sales for this 12″ can be found on popsike.com.

How Vinyl Records Are Made

Tuesday, July 18th, 2006

I’ve got several thousand of them, but up until now, I didn’t have a clue how they were made. I saw some great photos on the JTS Studio site a while ago ..

and then whilst looking for something completely unrelated on youtube, I found this:

How Vinyl Records Are Made Part 1
http://www.youtube.com/watch?v=xUGRRUecBik

How Vinyl Records Are Made Part 2
http://www.youtube.com/watch?v=IReDh9ec_rk

One Hundred Nuggets & It’s Yours

Thursday, July 13th, 2006

The hundred pound price tag a couple of years ago was reserved for just a couple of tunes. Today, it’s becoming more and more common place. In the past 2 weeks alone, the following tunes have all made 3 figures on Ebay;

Cyanide 45
Notice Me / Deep Thrust Telescopic Probe [discogs][RDB]
£103.25 [ebay]

Origin Unknown
Eastern Promise EP [discogs][RDB]
£109.00 [ebay]

+e=Exotic
Voice Of The Devil [discogs][RDB]
£160.00 [ebay] & £149.99 [ebay]

Other tunes I noticed hitting the 100+ mark in the past few weeks include, Tri-Core - Belfast Says EP [discogs] and Freestyle & DJR - Ten 44 [discogs].

That’s some serious cash being spent! More as I see them.

Why You Won’t Find Old Skool In A Charity Shop

Thursday, July 13th, 2006

Some Background

Starting anything new is always a challenge, and this is no exception. I installed this blog weeks ago, fiddled with it, installed various templates and plug-ins, but failed to come up with a good starting point … how hard can it be … just offer some opinion about whatever is going on in the world and someone will pass on by, maybe read it and possibly leave a comment. Repeat, over and over, and you’ve gone and got yourself a bonafide ‘established’ blog that someone, somewhere … maybe, possibly … might find remotely interesting. Hmmm. Really?

The starting point … this morning, like every other weekday morning, I pass several charity shops on the way into work. Outside one of them were some records. Nothing astounding in that as there are normally some Mantovani or Harry Secombe (you know the score!) stacked neatly in a ‘leather effect’ carry case. This lot however were obviously dance music. A quick flick through and it turns out to be a mixed batch of what looked to be mostly Drum & Bass and UK Garage. I’ve been checking records in charity shops for many years, mostly for old disco and funk tracks, and I’ve never seen much in the way of dance music on sale.

What Do You Mean It’s Not For Sale?

Being partial to a little UK Garage and some of the darker late 90’s Drum & Bass I decide to pay the shop a visit during my lunch hour to have a better look through the tunes I’d seen that morning. I have a word with the lady behind the counter and she says they were all taken ‘downstairs’ to be sorted, so she called the manager to see if I could go down a take a look. All good so far. The manager arrives and I explain how I’d seen these records out the front of the shop and how I’d be interested in having a good look through. Her response, “Sorry sir, I can’t sell them to you as they are promotional items“. Er … what? So I ask if they would be willing to give them away and accept a totally unrelated donation. Yes, that would be fine, except, “I’m sorry sir, but I’ve thrown all the records in the bin.” I asked if I could extract them from bins. Looking a little bemused, she agreed.

Deepest Digging

So, I’m out the back of this charity shop rifling through their bins pulling out handfulls of unplayed vinyl. Fierce & Optical’s ’Serum‘ in one batch, the Kemal & Rob Data remix of ‘The Nephilim‘ in another. I ask the manager if this is standard practice. She explains that they cannot sell any item that is labelled promotional, whether it’s clothing, vinyl, CD’s, videos or ornaments. I tried to find some definitive statement relating to this, but could find nothing in the Code Of Charity Retailing regulations relating to the specifics of what a charity shop can, or cannot, sell. It may only be the policy of that one charity, but I got the impression that this was applicable to everyone.

It transpires that only a couple of records were ‘promo copies‘. Spending time sorting through them all would have been too time consuming, so to be on the safe side, they just bin the lot!

Got Any Hardcore?

Long forgotten collections of old skool vinyl must still be tucked away in garages, lofts and spare rooms across the country. Now in the charge of parents, ex-girlfriends/boyfriends or once wannabe DJ’s who’ve long since lost interest in the music, ultimately these collections will probably end up on Ebay, at car boot sales, sold to a second hand record shop or donated to a charity shop. If it’s the charity shop option, then one look at the original promo of Music Takes You, and the whole lot will end up in the bin!